Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational of work, after the model of
industrial and totalitarism, collective spirit, identification
with ideology, which means: not the individual, but the
speaks. Our is industrial, our language political. Laibach is a
recognition of time universality. Its activity is an
intense agitation and a systematic propagating, ideological
offensive. Any activity affects the mass. Laibach functions as a
creative allusion of strict institutionality, with
institution, as theatre, or popular culture with a centralized
programme. One transmitter and a multitude of receivers, and a
communication through uncommunication. Laibach's musical is a
move to the of pure politization of sounds as a means of manipulating
the masses. When, in politically and economically situations,
the antagonism in society is becoming strained, force remains as the
ratio of social integration. The force must adopt the form of
systematic, physical and terror, organized in accordance with
social relations. is obtaining a function of productional power,
which extorts discipline and an adaptation of the mass, to the
relations, and the existing productional apparatus. For the
totalitarian form of government, the systematic becomes a
constitutional of authority. Through the mystic,
erotic-mythological sound, constitution of an ambivalence fear and
fascination, which rudimentarily the consciousness of people,
through stage of ritualized demonstration of political power,
and through other manipulative means of an individual, Laibach a
sound force, in a of systematic, psycho-physical terror as social
organisational principle, in order to effectively discipline and a
of total adherence bond of a certain, revolted and alienated
audience, which results in a of collective [athasia?], which is the
principle of social organisation. In sense, the function of Laibach,
sound constructions, and of rock concerts is to collective
emotions and automatic associations, and as such it as the means of
working stimulation. By the consumer's mind, it drives him into
a state of contrition and total obedience, self-sacrifice, by
destroying trait of individuality, it melts the individuals into a
mass, and into a humble, collective body. The dualism of Laibach's
message, perception and receiver's uncovers the social neurosis.
Laibach unites the biters and antagonistics an expression of static,
totalitarism cry. Our basic inspiration, ideals are not ideals to
their form, but the of Laibach, manipulation of self, remains an
production: art of the Third Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical of the militantly organised rhythmicity of technicist
production, and as such the most means of media manipulation.
As an archetypal structural of the collective unconscious in a
mass, it stimulates automatic mechanism, and shapes
industrialisation of consciousness, which is necessary in the of
massive, totalitarian, production.
[I had to write this one by ear... Took me hours.]