Luyện nghe bài hát Perspektive

(Perspektiven / Perspectives)
[Spoken in
Laibach takes over an organisational of work, after the model of
industrial production and totalitarism, spirit, identification
with ideology, means: not the individual, but the organisation
speaks. Our work is industrial, our language political. is a
recognition of time universality. Its activity is an
intense agitation and a systematic propagating, ideological
offensive. Any social affects the mass. Laibach functions as a
creative allusion of institutionality, identification with
institution, as stock theatre, or popular with a centralized
programme. One transmitter and a of receivers, and with a
through uncommunication. Laibach's musical approach is a
move to the area of pure politization of as a means of manipulating
the masses. When, in politically and economically situations,
the antagonism in society is becoming strained, only remains as the
ratio of social integration. The force must adopt the form of
systematic, physical and psychic terror, organized in with
social relations. Terror is a function of productional power,
extorts discipline and an adaptation of the mass, to the existing
productional relations, and the existing apparatus. For the
totalitarian form of government, the systematic becomes a
constitutional instrument of authority. the mystic,
erotic-mythological sound, of an ambivalence between fear and
fascination, rudimentarily affects the consciousness of people,
through performances of ritualized demonstration of political power,
and through other means of an individual, Laibach practises a
sound force, in a form of systematic, terror as social
organisational principle, in order to effectively and raise a
of total adherence bond of a certain, revolted and alienated
audience, which results in a state of [athasia?], which is the
principle of social organisation. In sense, the function of Laibach,
sound constructions, and of rock concerts is to challenge
emotions and automatic associations, and as such it serves as the of
stimulation. By darkening the consumer's mind, it drives him into
a of humble contrition and total obedience, self-sacrifice, by
destroying every trait of individuality, it melts the individuals a
mass, and mass into a humble, collective body. The dualism of
message, perception and receiver's structure the social neurosis.
Laibach unites the and antagonistics into an expression of static,
cry. Our basic inspiration, ideals which are not ideals to
their form, but the of Laibach, manipulation of self, remains an
production: art of the Third Reich, totalitarism, taylorism,
bruitism, disco. Disco rhythm, as a repetition, is the purest, the
most radical of the militantly organised rhythmicity of technicist
production, and as such the most appropriate means of manipulation.
As an archetypal basis of the collective unconscious in a
worker mass, it automatic mechanism, and shapes
of consciousness, which is necessary in the logic of
massive, totalitarian, production.
[I had to write this one down by ear... me hours.]